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ARE YOU MOTIVATED YET?

AUDIO QUACK
Skip Introduction | 3:13
Today, I feel like a lethargic, PMS-ing slug sliding along a hot pavement. Each sentence feels like a math equation. I called my Mum ten minutes ago, telling her I wanted to hide in a cupboard. And she laughed and said, “Well, go hide in the cupboard then. Ha. Ha. Ha.”

It wasn’t the right answer. No, I, a millennial, am used to being pumped up by motivational quotes. I wanted to hear something wonderfully cliché like, “Well, Mary, life begins at the end of your comfort zone.” Or “You are not what you do, not what you say you’ll do.” Or “Nothing is scarier than avoiding your full potential.”
Our parents only had the Eye of the Tiger, but we have motivational speakers, quotes, positivity journals, self-improvement books, and inspirational podcasts to drive us to succeed in our goals. Even if that goal is to write your comedy blog for a select number of readers. (Thanks for reading).
On Saturday night, I saw a live recording of How to Fail – a podcast hosted by the elegant Elizabeth Day. The podcast celebrates failure, with Day asking her guests to explore three of their personal failures.

Her guest was Alex Hassell, who played the sex icon Rupert Campbell-Black in Jilly Cooper’s Rivals. Hassell opened up about his insecurities that can be traced back to being bullied at school. He talked about the uphill climb to success and his doubts about pulling off the role of the iconic playboy, Rupert. (You can pull it off, bud).

We lap this stuff up. We want to hear about the struggles, the rejections, the sleepless nights, sweaty palms, and raging butterflies. It makes them human; therefore, their successes are attainable. How motivating! It’s no wonder the How to Fail podcast has had 50 million downloads since its launch in 2018.
Interviews with extraordinary people, like in How to Fail, are one of the many resources we can use on our journey of self-improvement. And it appears a lot of us are on that journey. In 2023, the industry was worth USD 41 billion and is predicted to grow to around 81 billion by 2032.

I went through my self-improvement stage when I was living in Australia. I began to work with a real estate entrepreneur who had been inspired by the king of motivational speakers—Tony Robbins.
For those who have never heard of Mr. Robbins – he is a gigantic man with a gravelly voice worth around $600 million. He asks questions like, “Do you have a hunger to increase the quality of your life?” (AAAAH, I DON’T KNOW).
A ticket to his 6-day transformation event, Date with Destiny, costs upwards of $4,400.
He’s not my vibe, but he has done wonders for others, including Serena Williams and my former boss.

I was hired to produce a podcast where my boss would interview local entrepreneurs about overcoming their struggles. I enjoyed this job very much. Nobody was famous, just hard-working people with meaningful stories. We had a beautician whose salon burned down, and she had to rebuild her business from scratch. And a man who set up an ethical denim company (Outland Denim) to help survivors of human trafficking in Asia. It was uplifting. (Apart from the day I accidentally deleted an hour-long interview. That wasn’t so uplifting.)

Despite making a motivational podcast, I had lost my own UMPH. I was having my quarter-life crisis, which consisted of eating lots of Açaí, trying to meditate, and Googling things like ‘How to squat with a barbell.’
All great stuff – but not me.
Like reaching for a diet book when you’re unsatisfied with your body, I leaned into self-help because I was frustrated with my personality. I was shyer than ever and no longer felt like I could do anything remarkable. My social life was pretty much non-existent, and I couldn’t squat with a barbell. I hoped that by listening to confident people and learning techniques, I would find my UMPH again.

When I wasn’t editing ‘Ummms’ out of interviews, I was helping my then-boyfriend grow his real estate business. Part of that was ‘letterbox drops.’ I’d walk the hills of Brisbane under the hot-hot sun, slipping leaflets into letterboxes to make the locals aware of how much their neighbour’s house sold for.
I decided to use the time to do some self-improvement work. Two birds and all that. I’d listened to various podcasts. Unf*ck Your Brain, hosted by a feminist coach. The Rich Roll Podcast. Roll was a recovered drug addict who became an ultra-endurance athlete. The Tim Ferriss Show. Tim Ferriss was the man behind the 4-Hour Work Week. And, of course, there were TED Talks. So many TED Talks. So many leaflets.
I got into the books as well. The 5-Second Rule told me that if I wanted to make myself do something, I should count down from five, as this would launch me into action.
5.4.3.2.1… Press Send.
5.4.3.2.1… Get out of bed.
5.4.3.2.1… “Steven, we need to break up.”
At one point, I was writing three positive thoughts a day. And yes, I listened to Eye of the Tiger ….a lot.

As I drifted into my late twenties (and back home to England), I eased off the self-improvement work and began focusing on building knowledge instead. For me, Anna Karenina was more effective than studying The Subtle Art of Not Giving a F***. It meant I could say things like, “Alex Hassell would make an excellent Vronsky.“
My friend Lettuce was talking. She owns a boutique clothing line and confessed how she got distracted by ‘how to hustle’ books. She soon recognized that she was better off spending her time learning about marketing strategies and researching suppliers instead.
As Francis Bacon said, “Knowledge itself is power.”
Still, there are sluggish days when you just need a bit of motivation. You can use an obscure technique you learned in a book or listen to Kate Winslet talk about her work ethic on How to Fail. Even a cheesy quote can help… Mum.
Before you know it, you’ve done what you’ve set out to do.
5.4.3.2.1…Publish.
Follow Me on Instagram @marynewnhamwrites
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DON’T YOU WANT A BABY?

AUDIO QUACK
🎈Happy 1st Birthday to Audio Quack 🎈
Skip Introduction | 2:21
I’ve never been overly gushy about babies. They’re cute, especially in a bear onesie or wearing tiny versions of adult shoes, but I don’t rush to hold one. I’m worried that I will do something catastrophic. What if I hold them wrong, and their head falls off? Or, I pull a face, and they start to cry, and they cry and cry until they turn purple? The frazzled mother will rock her screaming plum of a child while everyone will ask, “Who made the baby cry?!” And I’ll hover uselessly nearby, mumbling, “I thought babies liked silly faces. Sorry. Sorry.”

The last time I held a baby. As you can guess, I was the youngest in the family, so the only practice I had with babies was my doll, Apple (named after the fruit, not the tech company). One day, I cut her hair so short that she looked like a plastic baby Princess Diana… and then I didn’t want her anymore.
So I was doll-less for a period of my childhood until I saw an advert for Amazing Ally. She was a talking doll with long blonde hair. She knew your birthday and asked questions like, “Wanna be best friends?”
“I do…” I said to the screen.
Amazing Ally arrived on my birthday. When I first took her out of the box, I was surprised by how tall she was in real life. She had scarily realistic blue eyes and a permanent pout.
That night, I was sleeping in my bed when I was awakened by her singing “Happy Birthday” from the corner of my room.
“MUUUUUUUM!” I cried.
Her batteries were swiftly removed, and she was hidden in the back of my cupboard for the rest of her days. No more dolls for me.
Perhaps it was this trauma that has made me not want to rush into motherhood.

Most of my friends are also without child. One or two are happy to keep it that way. The others are protesting, targeting pubs and rugby stadiums, raising placards and chanting. “LESS PINTS! MORE BABIES!” “LESS PINTS! MORE BABIES!”

No. They’re not.
In truth, we’re all enjoying the spontaneous holidays, Sundays in bed, and being able to wear headphones for 80% of the day without worrying that we won’t hear our babies crying. We’ve grown up with the assumption that family stuff will just happen one day, as if it’s written in the stars.
STARS: Bella will concentrate on her luxury goods PR business until 3rd July 2026, when she’ll meet Giles in the Pret A Manger on Trafalgar Square. They will have their first baby a year later.
At times I have wondered, what if our lives are not ruled by fate, but by our proactiveness? A year ago I went to investigate freezing my eggs, but after a very graphic consultation… ‘THE NEEDLE GOES WHERE?!’ I put the idea on the back burner. It was nicer (and cheaper) to rely on the written-in-the-stars method.

So, as we wait for fate to do its thing, my friends and I are carving out pleasant lives for ourselves, and as the years go on, it’s becoming harder to think about adapting it all for motherhood.
“Ok, I’ve just got to record my Quack, darling.”
“But you promised to take me to the park.”
“Shh. Mummy’s recording….”
There is also the planet being on fire to consider, alongside the concern that a bunch of maniacs are treating the world like a RISK board game. Hi darling, welcome to the world. Here’s your life jacket.
So, with all that in mind, it feels easier to accept that if kids are not written in my stars – then that’s okay. I’ve got my career, books, headphones, holidays, sourdough, and friends. It’s not a bad life by any stretch…
But just as you convince yourself of this, your friend has a baby.

Imogen brought Baby M to the pub. For the first ten minutes, we craftily positioned our beer bottles to make it seem like Baby M was drinking. How fun babies can be! Baby M didn’t need as much attention as Amazing Ally; she slept through our drinks without even a gurgle. This motherhood thing is not too bad.

Imogen showed me photos of her, Baby M and Dad Frank on the beach, and it looked incredibly dreamy. I want to have a family to walk on the beach with.
Then she said, “Let me show you something that will make your ovaries twerk.” She whipped out a photo of Frank fast asleep with Baby M curled up on his chest.
As promised, I felt a small…. bop.

Hot Dads have us all fluffing out our feathers.
As I was writing this quack in a pub, there was a hot dad in my eyeline, holding a baby with one hand and drinking Guinness with the other. I want a family to sit in a pub with on a Monday afternoon.
Funny, isn’t it? Men go from bar to bar in their twenties with their abs and Paco Rabanne, and we don’t bat an eyelash. But when they’re tired, unshaven, cradling a tiny baby with one arm…you’re like, “I NEED THAT NOW!”

The problem with hot dads is that they’re taken. The proof is in the pram. And so the only way to get one for yourself is to… have a baby. Hmm.
LESS PINTS! MORE BABIES! LESS PINTS! MORE BABIES!
Follow me @marynewnhamwrites
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HOBBY HORSE

🎧 AUDIO QUACK 🎧
Skip Introduction | 1:40
Cheltenham Festival is one of the most famous horse racing events in the world. Around 200,000 people attend over the four days. 28 jump races take place, and 5 tons of cheese is consumed. If you’re into horse racing, like my Dad is, it’s an unmissable event.

“Are you going to Cheltenham?” Dad asked me. We were having lunch with my brother, Jack.
“Nope,” I said.
“Why not?” He frowned. “Jack is going.”
Jack smiled proudly across the table, like he had just scored points for his Hogwarts House. 5 points to Hufflepuff. And then Jack added, smugly. “I’m going for two days!”
Dad nodded in my direction, as if to say, see, look at your brother.
I shrugged. “It’s not my thing.”

I have a vague childhood memory of standing by the white fence at Newbury, feeling the drumming of hooves in my tummy.
“Here they come!” Dad said. The crowd roared, and then a stampede of shimmering horses thundered past us.
This could have been the moment when I discovered my love for horses, started riding, and then became an Olympic gold medallist in show jumping. I’d hold up my medal and give an emotional speech about the first time my dad took me to the races.
But this did not happen. Instead, I covered my ears as the horses charged past. I looked up at my dad with my palms stuck to the side of my head. His fists were in the air. “Come on 5! Come on 5! Come on 5!”
After that, horse racing was added to the list of ‘Things Mary Was Shown as A Kid, But Did Not Like’. Also on the list was: Football, Ballet, Hot Wheels, Fishing, Piano, Maths, and the clay head from Art Attack.

I was outnumbered though, because the rest of my family loved horse racing. And so, we became that family who ‘went to the races’. I suppose it could have been worse. We could have been that family ‘who went sailing. Or worse, skiing.
It became a tradition to get stuffed into a car and go to Kempton Park on Boxing Day. We would cure our Christmas hangovers with a four-course meal, eight hours of wine, and betting. My brothers would listen to Dad’s advice about odds, rankings, trainers and what not, but I was more swayed by the jockey’s outfit. If the jacket had a bright pink star, then that’s where my fiver will go. Needless to say, I was’t much of a winner.

I understand why people love the races. It’s thrilling when your horse creeps up behind and charges toward the finish line. You think of all the money that could be coming your way. I could buy a rosemary scented candle! A beige roll neck! Three Gail’s Mixed Olive Sourdough Bagettte Sticks!
But my excitement could never compare to that of my dad’s. He displayed almost (but not quite) the same hyper exhilaration as when a Tottenham striker is running toward the goal.

I’ve previously Quacked about how a man’s simple hobby can get out of hand. One minute they are taking a photo of a sunset on their phone, the next, a drone is hovering in the back garden. “A bird’s eye view of our home, Steven. How artistic.”
Dad’s horse racing hobby was the same. It started with a tweed blazer, and then one day he came home and announced he bought part of a racehorse. I imagined a pack of men in pink shirts, surrounding an anxious horse, as they pointed to the parts they wanted. “Bill, you have the head. I’ll have the back. Jon, you get the legs.”

Naming a racehorse is not like naming a pet. There are strict rules to prevent anyone calling their steed something crude, like Wide Legs. According to Horse and Hound, these are some names rejected by the…. err…. The Horse Board?
Ben Dover, Biggus Diccus, Penny Tration, Ophelia Balls, Ho Lee Fook, E Rex Sean and Sofa King Fast.
Dad’s horse was innocently named Good Effect, which sounded like something you would read on the side of a paint pot.
Good Effect wasn’t welcomed into the family like our West Highland Terrier, Duncan. She lived far away in a stable somewhere, and the only thing we heard about her was her jumping progression. When Dad did see her on race days, he would have to dose himself with antihistamine… as he was severely allergic to horsehair.
It turns out that owners don’t tend to get emotionally attached to their racehorses. Good Effect was soon gone. (Hopefully she was taken to a field to mince in for the rest of her days, and was not turned into mince).
Her replacement was, Laudatory.
There were high hopes for the new horse. It was announced that the renowned jockey, AP McCoy would ride her at Taunton. Dad was buzzing, and told absolutely everyone to tune in to watch the champion jockey ride his horse. And so, absolutely everyone did. And absolutely everyone saw McCoy fall off and have his chest kicked in, breaking his ribs. The Guardian wrote about it here.

Laudatory was soon replaced by another paint-pot named horse, Rare Edition. And then another, and another. It was last year that I realised Dad’s hobby had gotten out of hand, when he bought a horse in the Ascot racecourse carpark after a nine-hour drinking session.
I bought a horse in a car park last night! He texted.
I was going to text something resposible back.
“…Do you think that was a good idea? ”
But then decided, like the rest of horse racing, to stay way out of it.
And so I write this Quack, quiet in my flat, far away from the tweedy-cheesy munching Cheltenham. Dad has sent me a photo of him standing on a balcony with his buddy Lawson – happy as a horse.

And in case you’re wondering, Jack (the favorite) is also having a good time.

BLOG SOUNDTRACK
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HOW TO COMPLIMENT A STRANGER.

🎧 AUDIO QUACK 🎧
Skip Introduction: 1:45
“Whoever you are, I have always depended on the kindness of strangers.”
– Blanche Dubhois, A Streetcar Named Desire.
I was waiting on the platform for the Penzance train, when a man, around my age, with wirey beard and a Patagonia fleese, stopped in front of me. He took out an earbud and said, “I think your jacket is very cool.”
“Oh,” I said, as I proudly peered down at my brown suede jacket. “Thank you. Thank you very much.”
He popped his earbud back in and wandered off, and I made a mental note to wear my brown suede jacket every single day from now on.
There was nothing he wanted in return for his compliment. He didn’t say. “Your jacket is very cool, but would be even cooler on my bedroom floor.” No. None of that. It was just something kind he had said, which gave me a little boost.

You expect your friends to say something kind now and again, to keep you going. That’s what they are there for – to cheerlead you, no matter how wrong you are. ‘”You’re one of the few people who suit lime green.” “You’re so much better than that billionaire model.” “No! Stop! I think writing a blog at 33 is very cool.”‘ As valuable as that encouragement is, you take it with a pinch of salt because they’re your friends – they have to be nice.
But it hits differently when a stranger goes out of their way to say something kind to you. Even though you know nothing about them, their words feel more truthful. If they say you have great hair, then it’s a fact. If your mum says it, then the jury is out.
I have complimented strangers before, but after my interaction with the man on the platform, I found myself wondering why I don’t do it more often. After all, it’s a free and simple way to make someone feel a little brighter about themselves.

I boarded the train to Penzance. Sitting in my eye line, (if I leaned heavily to my right), was a god-like man wearing a navy blue cap, who had one of those faces that you could easily…er…marry.
Throughout the journey, I sneaked a look. Sometimes I caught his eye and instantly looked away, but most of the time, I just stared at him as he typed away on his laptop.
He got off at Plymouth with his camouflage backpack, so I assumed he was in the military. (And if not, then the MOD has to get onto that, because this guy was as tall as the train and built like a concrete block. He could probably defend the country with his bare hands, which may be very useful in the near future).

Anyway.
I thought he was magnificent. So, naturally, when he walked past me to get off, I didn’t say a word. As the train pulled out of Plymouth, I was full of regret. Why couldn’t I be like the man on the platform and just give a compliment?
“You have such a nice, long spine…”
Or something marginally better.
It’s not just people I want to sleep with/marry forever who I find hard to compliment, but any stranger. Even when a woman walks by with a stunning outfit, I don’t say a word, mostly because I’m an overthinking Brit who avoids human interaction. I smile at people all the time, but I am hesitant to say something nice out loud in case it goes horribly wrong.

The ways it could go horribly wrong:
The Backhander
What happens when you mean to compliment someone, but end up offending them instead? Like when Paris Hilton kissed the stomach of a woman believing she was pregnant, but she wasn’t pregnant. (Golden rule: never assume someone is pregnant). I have also learned that nobody wants to be told that; their shoes look comfortable, their car is practical, what they are wearing is ‘brave’, or that their Etsy artwork would look lovely in the downstairs toilet.
The Manipulator
In this dog-eat-dog world, people are suspicious of compliments, worried that you have an agenda. I met a woman for dinner, and she told me that she always compliments someone’s outfit because it’s an easy way to make people like her more. I immediately recalled the first time we met, when she made a point to say that my outfit was “really pretty!”
It was all lies….
The art of the compliment is that you should mean it, because people can sense when you don’t. (Or, at least don’t tell anyone your social strategy).

The Creep.
What’s worse than being fake or mean is being creepy. Nobody wants to be the heavy-breathing stalker who whispers to someone, “You have nice long spine.”

What happens if it goes right, though? Your words could be just what that person needed to hear on that day. It could give them a boost before a job interview, a date, or just lighten up their mundane day. You, meanwhile, float away, feeling like some sort of flattery fairy.
We’ve gotten into the habit of relying on apps to connect with one another. In the UK, we spend on average 4 hours and 43 minutes a day, glued to our phones. In that time, we’re missing out on interacting with real-life people. And it’s no wonder we do this. It’s easier to swipe right on a dating app rather than approach someone in a coffee shop and tell them you like them. Or pressing ‘like’ on a photo rather than telling them to their face that you think their bottom is great.
❤️🍑
Lent begins today, and even though I’m not religious, I like a good old religious calendar to structure my year. We’re supposed to give up something we love for 40 days, but instead of giving up cherry cola Tic Tacs as originally planned, I am setting myself a mission: to give 40 genuine compliments to 40 strangers.

It’s going to be called…Mission: A Compliment.
I know. So good.
I’ll let you know how it goes.
(And if you don’t hear from me, then I’ve probably complimented the wrong person and have somehow ended up tied up in their basement).
BLOG SOUNDTRACK
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BRACE FACE

🎧 AUDIO QUACK 🎧
Skip Introduction : 1:45
“Is Mary the girl whose teeth go like this?” Verity crossed her fingers to illustrate the overlap of my two front teeth. Sausage had attended Verity’s sleepover on the weekend and had come back Monday morning with a full, brutal report.
To be fair to Verity, my two front teeth did look like they were humping. My mouth was too small, forcing my teeth to scrum together. The left canine had no room, so grew up high, away from the rest, like it had been excluded from the party. To top things off, I had an underbite, so I looked like Bart Simpson when he pulled a silly face.

Because the dental work was so complex, I found myself in a hospital at the age of fourteen, surrounded by specialists discussing how to fix my mouth. They informed me that they needed to break my jaw so they could put it in its proper place. This seemed rather…Game of Thrones, so we opted for an alternative route.
Patrick, the orthodontist, was a white-haired man who listened to Rod Stewart on repeat. He promised he could fix my mouth with the magic of metal—lots of metal.
I imagined my braces would be like the girls at school – rainbow bands that changed colour every few months. I imagined wrong.
My mouth looked like the inside of a Game Boy. The wires were thick and dark and angrily zig-zagged. There were two blue blocks stuck on my back teeth. And to solve my underbite, I had a metal plate fastened to the roof of my mouth, which required my mum to tighten every night with a small screwdriver.

I was devastated. If getting a boyfriend, like the guy from The Notebook, seemed unlikely before, it seemed impossible now.
But, during those vital GCSE years, along with learning about photosynthesis and the causes of WW2, I also discovered that if you’re happy to take your clothes off, you’ll get a boyfriend… even if you look like a Bond villain.

My braces came off in time for a major life event, the Year 12 prom. My teeth were no longer scrumming, and my bottom jaw was tucked behind my top one. My dental journey was over…or so I thought.

Like most teenage brace wearers, I didn’t wear my retainer every night, so by the time I was in my late twenties, I noticed the teeth had moved a smidge. It wasn’t much, but when I looked in the mirror, I could hear Verity’s echoey voice. “Is Mary the girl whose teeth go like this?”
The childhood trauma fed into my insecurities, and my thoughts began to spiral. Maybe the real reason why men refused to procreate with me is because of my wonky lateral incisor tooth – not my bad jokes.
I was back in an orthodontist chair with a dark-haired, blue-eyed Liverpudlian looking down at me. His name was Jim. When Jim examined my X-ray, he told me I had the biggest nerves in my teeth he had ever seen. I told him he wasn’t the first man to tell me that. And then he laughed, uncomfortably.
Cigarettes After Sex was playing, as he hoovered up my saliva, and fitted my Invisalign.
Got the music in you, baby, tell me why
Saliva Hoover: *VOOOOOOOOOOOOM*
Got the music in you, baby, tell me whySaliva Hoover: *VOOOOOOOOOOOOM*
When he held up the mirror to show me his work, I realised I had made the same mistake as I did as a teenager. I thought I would resemble the smiling woman on Instagram, whose Invisalign was, well, invisible. But my mouth was too complex (again), so I had to have stumps on all my front teeth.

My friends were not supportive. I sent Sausage a grinning selfie with my new brace. I needed her to say, You barely notice it. Instead, she sent me a screenshot of Sex and the City, the episode when Miranda got braces. “This reminds me of you,” she said.

And then there was dating. If it wasn’t tricky enough to try and lure a man away from his life of freedom of football, mates and Camden Hells, try adding a brace. Every time I wanted to eat or drink coffee, I had to take the Invisalign out, which made me look like a grandmother taking out false teeth. It wasn’t sexy. And I decided I would have to wait until they came off before I did any more luring.
I had them in from June until December, and on the day of the last appointment, I was raring for Jim to take them off.
“How’s your teeth?” Jim asked, as I settled in the chair for the last time.
“Great. How are yours?”
He laughed, uncomfortably.
I don’t know what I expected to happen to my dating life once my lateral incisor tooth was straight. I guess I imagined that if I smiled, a man would freeze and say, “Your teeth are the straightest teeth I’ve ever seen. I’ve got to take them to Venice, right now.” But this never happened. Even when I gave a man my widest grin from across the tube carriage, he didn’t rush over to procreate. He just moved away, uncomfortably.

BLOG SOUNDTRACK
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THE AUDIENCE THAT WENT WRONG.

Audio Quack! Let me read it for you! Skip Introduction 1:30
Last week I went to see Streetcar Named Desire. It’s one of my favourite plays and this production had Paul Mescal playing Stanley. I had spent an hour in a virtual queue getting tickets. It was like my version of Glastonbury.

It was around thirty minutes into the first half of the play, when I heard some commotion kicking off behind me.
“I can’t stay any longer. I’m sorry, it’s just not my cup of tea!” A hushed voice said. I glanced behind and saw a row of people standing, as an old man in tweed shuffled past them. My inner snob came out. I tutted. How does one not know if Tennessee Williams is not their cup of tea?
Further on in the play, in a silent, intimate moment, someone cracked open their can. ……*click!…fiizzzzzzz*
My inner-snob could have exploded. CAN NOBODY DO THEATRE AROUND HERE?!

Despite the audience, I thought the performance was superb. Marlon would be proud. But the disruptions did make me reflect on all the times when it wasn’t the play that went wrong, but the audience, and that includes myself.

The problem with the theatre is it brings out our more pompous side. When you tell people that you went to the theatre on the weekend, you make it sound like you wore a gown and arrived in a horse-drawn carriage. (When, in fact, you wore Levis and arrived in an Uber that smelled of lemons and vomit.)
But simply going to the theatre on a normal ticket wasn’t enough for my Farrow and Ball Mother. When we went to see Long Day’s Journey into Night with Brian Cox, she had, for some reason, bought a VIP package.
When we got to the door, we let them know we were the VIPs. The man whipped out his walkie-talkie. “Sinead, the VIPs have arrived.” Mum looked suddenly worried about the fuss she was causing. After all, the real reason why she paid for the package was because it included a private loo. Fair point though, queuing for the loo in the theatre is like queuing for Dishoom on a Friday night.
A lady named Sinead appeared and escorted us through the back ends of the creaky theatre. We went through a small door and then an even smaller one. I was beginning to worry that my family had set me up again, and that I was a door away from being on stage. (Read about my West End debut here.)
Eventually, we entered a very strange-shaped room. It was a corridor decorated like the Age of Innocence. There was champagne, wine, fizzy drinks and crisps laid out on a shiny brown dresser. Mum and I sat close together on a hard floral sofa. We could hear the muffling sound of the other audience members having fun in the bar… together.

Sinead stood to the side with her hands clasped as we sipped our drinks.
*….Sip…*
“Is anyone else a VIP tonight?” Mum asked.
“No, just you guys,” Sinead said and glanced at the floor. We could hear her thoughts…this is stupid.
We felt bad for Sinead having to stand in a room with two of the dullest VIPs ever. (I don’t even drink alcohol). But we didn’t want to be rude and leave the room early, so we resorted to trying to befriend Sinead by firing a zillion questions at her about her job.
“Do you get to meet any actors?”
“Do you get to work in other theatres?”
“What’s been your favourite production so far?”
Mum gets up. “Must pop to the loo.”
Please don’t leave me….
I smiled at Sinead. She smiled back. A roaring laugh came from the bar many, many doors away.
“So…” I began. “Have you ever seen a ghost in this theatre?”
Thankfully, the theatre was riddled with ghost stories so that filled the silence until show time. (Thank god for ghosts).

When I was in Manhattan, I took myself to Broadway to see Appropriate. The Americans are a different kind of theatre audience. They are enthusiastic. When Sarah Paulson came on, an eruption of whooping and cheering took over the theatre. I wanted to shout in my most BBC accent, “Can’t you see the lady is in character?!”
We Brits do not applaud actors when they come on stage, no matter how famous they are. Even if Laurence Olivier came back from the dead and appeared on stage, we would wait until the end of the performance before giving him a clap. That applause will be made with two hands. NO WHISTLING. Sometimes, we will even give the actors a standing ovation – IF they deserve it.
Yes, the Brits are a hard audience to crack. In the interval, you often hear mutters in the bar like, “I just think the director was missing the point that Miller was trying to make.” Or “She’s no Elizabeth Taylor.”

The last thing you want to do is to trust one of these audience members with a microphone, but that’s precisely what they did in An Enemy of the People, starring Matt Smith. I went along last summer to a matinee. It was all going brilliantly, (well I thought it was going brilliantly), until the interactive scene. In the second half of the play, they turn the audience into the ‘townspeople’ in the ‘local town hall’, and you have the choice to voice your opinion on the ‘council debate’. This would work in theory, but on a Saturday afternoon in Soho, not everyone understood the rules of drama.
“So, we’re going to open it up to the townspeople. What do you think we should do?” The actress announced.
The first person to speak was a man a few rows behind me. “I think Henrik Ibsen should have written a better play.”
“OOOOOO!” The audience went, like we were kids in a classroom.
The actress, a true professional, stayed in character. “What play, Sir? Who’s Henrik? We’re in a town hall, Sir.” The mic was swiftly moved on to the next person. “You there, the man holding the giant stick!”
The audience cracked up.
“The stick is because I’m disabled,” snapped the man in the mic.
The laughter stopped and every single person, including Matt Smith, squirmed.
The angry man began to speak. “I think this play…”
“What play, Sir?!!” repeated the drained actress.
She was going to get her agent on the phone after this.

Usually, I’m an impeccably well-behaved audience member. I put my phone on do not disturb, flight mode and turn it off. I don’t crack open cans in intimate moments, or wear my hair in a high bun. But there have been times I have let myself down, such as when I fainted in the middle of the stalls during A Little Life. (Read here). But even then, Mum waited until the interval to check if I needed to go to the hospital. (To disturb the audience in the middle of a play, even if your daughter may have died, is still unforgivable).
Sometimes, it’s not you, but the company you bring along. I like to go alone to the theatre so I don’t have to worry if the other person is enjoying the show. But when I went to see Tosca, I brought along one of my more eccentric pals.

We should have gone through Door D, but there was a small queue, so my friend insisted on going to Door E. We got to our row where everyone was settled. At the other end, we could almost see our empty seats. Basically, we either could disturb 15 people or 4 people. It was a no brainer. But before I could drag him back up the staircase, he ordered the row to their feet.
“Excuse me, we need to get over there!” he said, pointing far in the distance to the two empty red chairs.
The row glared at us like we had asked them to get up and strip off.
“Can’t you go to the other side?” barked the woman sitting directly below us.
“Yes, we can,” I said through gritted teeth, and attempted to drag my friend away, but it was like trying to drag a big stubborn rock.
“No, we’re here now. Come on everyone, get up!”
The woman surrendered, getting to her feet, angrily. The row reluctantly followed, all moaning and groaning as we shuffled past. “You should have gone the other way.” “You were meant to go through the other door.” Meanwhile my friend was firing back sarcastic comments to wind them up.
“I know. I know. It’s terrible.”
We finally got to our seats, and my friend had one final kick. He turned to the row and said, “OH NO! Wrong seats! Back we go!”
The row glared.
“JUST KIDDING! HAHAHA!”
I yanked his arm to sit him down. And then, because this was an opera, we had to sit in our row which we had been socially exiled from for the next three hours. If you’re going to make enemies with your fellow audience members, make sure it’s on your way out of the theatre.
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HAVE YOU GOT ANY WORK EXPERIENCE?

🎧 Too busy to read? Let me read for you! Skip introduction 1:55.
Also on all podcast apps. 🎧
I went into adulthood with an almost bare CV and the inability to bullshit. I had a film production degree, a Duke of Edinburgh Bronze Award and some work experience at Oxfam in 2005. That’s it. When you apply for an entry-level job, you discover a strange level that you’ve missed: the entry-to-entry-level job. Also known as work experience.
And so, off I went into London to fill my A4 piece of paper with experiences of work, so that I could be…. well, I wasn’t sure what I was going to be.

Experience 1- A Casting Assistant
I did have one work experience on my CV from when I was seventeen. I spent two days in a casting studio off Piccadilly Circus.. The first thing that happened was I was forced into a studio to have an impromptu photoshoot. I had a striped shirt on because I thought that’s what people wore to offices. Now I have a collection of professional photos where I look like I sell insurance. (I will not be showing them).
For the rest of the week, I helped out the casting assistant, who sat on a pink exercise ball, so she could tighten her core whilst getting paid. She insisted on having The Jungle Book soundtrack on repeat. Please…no more Bear Neccessities!
Every few hours, a new casting session would begin, and a group of similar-looking actors would fill the room. At 10 am, the room would be full of 5ft 10 blondes. A couple of hours later, it looked like an elderly home. I had little responsibility except to take a Polaroid of each actor and stick the photo on the forms. I thought I was doing a great job, until the casting assistant peeled off one of the photos and asked me to do it again.
“This time, get all of his head in!”
Experience 2 – A Music Video Runner.
Fresh out of film school, I got a job as a runner on an indie music video. It was a one-day shoot with multiple locations and an extensive shot list. One of my main jobs was driving the producer to the shoot in Kent and every location throughout the day. I was so worried about getting lost and wasting precious time that I added all the locations to my TomTom the night before.
The music video was directed by two hipsters who hired a vintage car. (Don’t ask me the make). It looked cool, but it broke down after the first take. The frazzled producer sent me on a mission to find some towing straps so they could pull the car along.
“Don’t be long”, she ordered as I drove off.
I had no idea where to get towing straps from. I tried BP garage, they didn’t have any but they did have some rope. I bought it because I didn’t want to return empty-handed. I was on my way back when the producer called. I didn’t want to seem like I was ignoring her call, so I tapped the phone as I went onto the roundabout.
“Hello?” I said, panicked.
BEEP! Goes the car coming at me from the right.
“What’s happening Mary? Where are you?”
“Nothing. On my way back.”
“Did you find a towing strap?”
I glanced at the blue rope on the passenger seat.
“Kinda.”
They didn’t use the rope.

Experience 3 – Marketing Intern for a food PR company.
I was making videos for small companies and writing a food and drink blog. I had a wonderful idea that I could combine the two, so I applied for work experience at a food marketing and PR company.
The office was quiet, too quiet. The only noise was many manicured nails, typing out press releases for restaurant openings and damage control statements for the coked-up chefs. Casual Fridays were a little noisier as they’re allowed to have the radio on.
I was put to work with various things, but what I hated the most was corporate push calls. I was instructed by the 22-year-old marketing executive to call HSBC in Canary Wharf and ask if they’d like a burrito voucher for their workforce.
She told me, “The highest person you can speak to, the better.”
It went like this.
“Hi, would you like a burrito voucher for your workers this Thursday?” CLICK “………Hello?……….. Hello?”
The perk of the job was I got to go to food events. I ate a lot of burgers in those months, and I went to a champagne tasting at The Hippodrome. One day, the marketing manager was sick, and nobody else was free, so they asked me to go to a supper club on an old tube carriage. They told me not to say I was an intern because my job status would insult their client. You sent the intern?!

I sat in a restored tube carriage in East London, surrounded by food journalists. We ate peppery parsnip soup as they spoke about the industry and the big names within it. I laughed and nodded along like I knew exactly what they were talking about, then the conversation turned on me.

“So Mary, what’s your job title?
I put down my spoon and wiped my mouth with a napkin to buy me some time.
Do not say you’re an intern. Do not say you’re an intern. Do not say you’re an intern.
“M-M-Marketing manager for…. food.”
“Oh, what does that entail?”
The carriage was silent.
“You know, promoting chefs and nice meals…and stuff.”
“Splendid. And who are the chefs that you work with? Heston? Artherton?”
“Erm…”
Let’s just say it was a far cry from Catch Me If You Can.
Experience 4 – The guy above the pub.
My Bloody Mary blog got me an invite to a blogger’s event at a restaurant in Sloane Square. I talked to man about how I wanted to learn Photoshop. The man told me if I helped him in the office for free, he’d give me free Photoshop lessons. Perfect.

His office was a small room above a pub on Fleet Street, which looked like it needed a good clearout. The man sat beside me on his big computer, and I worked off my laptop. I was doing some admin when he asked if I could help him create jokes for his book-themed bingo night.
“I need something funny that rhymes with 50. Can you think of anything?”
“Um. I don’t know. You could do something about 50 Shades of Grey?”
“Like what?”
I knew I was going down the wrong path.
“I don’t know. Get frisky with fifty…?”
He scowled like he had tasted something disgusting. “That’s not funny.”
By 11 a.m on Tuesdsay, the man had lost patience with his free worker. I asked if it was okay to send the email I had typed out, to which he huffed and then revealed that he was going on holiday next week, so I
really needed to learn things more quickly.
But… how will you teach me Photoshop if you’re in Tenerife?
I teared up on the commute home. I wasn’t quite sure how I got myself into this situation, where it looked like I was going to do this man’s job for free as he went on holiday. That evening, I sent him an email saying; ‘Thank you for your time and that I’m sorry to say this, but I had suddenly been hired on a major film project, and so, unfortunately, we were never going to see each other ever again. Kind regards. Mary.’

After that strange experience, things looked up. (I got paid). I worked as a waitress in a Kennington pub. I kept writing my blog and making corporate videos, until I finally got full-time employment in an advertising agency It kept me going until I moved to Australia, where I was met with a familiar barrier…
“But do you have Australian work experience?”
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THE MUSICAL THEATRE FAILURE.

AUDIO QUACK
(Also available on all podcast apps)
Skip intro 1:10
Some of my friends hate musicals. They just can’t get on board with fifteen people singing about a daughter working out who her dad is, or the French Revolution or two teenagers hooking up over the summer.
Sex-Ed Tom and I, though, love a musical. On Saturday, we went to see Titanique, a mock musical where ‘Celine Dion’ tells her version of the story Titanic. It was my third time seeing it because, honestly, it’s the funniest musical I have ever seen on stage. (This Quack is not sponsored by Titanique).

My love for musicals goes way back to when I saw Annie. I was around five and had learned all of the songs. For a period of time, I would sit on my bedroom window ledge and look out to the skyline of Didcot and sing, “Maybe far away. Or maybe real nearby.”
I asked my Mum for a red cardigan so I could look like her.
“We can get you a red cardigan,” she said.
“And I want to be an orphan,” I demanded.
“Erm….”
I got my red cardigan, and Mum slept with one eye open until I moved on to my next musical fixation, Lion King. And then it was Cats. (DO NOT mention the film). And then Blood Brothers. West Side Story. Jersey Boys. Whatever musical it was, I fell in love with the big songs, the dancing, and the dramatic stares that the actors do when holding a note.

In the hope that my passion would turn into talent, my parents signed me up for a theatre school in Abingdon. It was three hours every Saturday afternoon, an hour of acting, singing and dancing. I learnt to leap across the room, sing Bare Necessities, and how to do BIG expressions on stage from a white-haired woman named Pam, who only had one expression which read, I could have been Judi Dench.
The school put on West Side Story. I was with the younger kids who came on stage once to sing Somewhere. “There’s a place for us…”
I was an Italian gang member in 1950s New York and wore combat trousers and a blue T-shirt from Gap, which I was super proud of. My grandparents came to watch my debut in Abingdon, and my grandmother’s critique was that I wasn’t pushy enough on stage.
“If you want to be on stage, Mary, you must push yourself to the front.”
I didn’t know what she meant. As far as I was concerned, if Verity felt strongly about being at the front of the stage, then who was I to stop her?
Sadly, my road to becoming a West End musical legend came to a grounding halt one Saturday when I refused to get out of Mum’s MX5. I was not in the mood for leaping anymore. I hated singing Bare Necessities over and over again. And Verity was being a bitch. The day after my MX5 sit-in, I quit drama school, and my parents had to wave goodbye to their hope of having a West End star daughter.

What made this blow worse was when their friend’s daughter became an actual West End Star. Siobhan competed in How to Solve A Problem Like Maria and went on to be the lead in musicals like Sandy from Grease and Sally Bowles in Cabaret.
“Siobhan is so talented,” Dad would say. “She can act. She can sing, she can dance.”
“She sure can,” I would reply, and then continue to eat my Ben & Jerry’s Caramel Chew-Chew.

Even though I knew I would never be a star, I still loved watching musicals on stage and the screen. When I was 17, my boyfriend took me to Cineworld for a gift to see High School Musical 3. I watched with gooey eyes as Zac Efron spun Vanessa Hudgens around a flower garden in the rain, singing, “Can I have this dance?” I turned to my boyfriend to see if he was as moved by the scene as I was. Nope. He had his head resting on his hand and looked as bored as someone in a maths class.
As a grown-up, musicals still have that same effect on me. I’ll watch a show and obsessively listen to the soundtrack for weeks afterwards. In a post last year, The Euro Final: The Musical, I wrote about the Euro final day being musical. It’s a small but very real fantasy of mine to live in a musical world where people break into song.
This is how it would be:
A man and a woman are sitting in the corner of Starbucks. The man says, “I’m sorry, but I’ve got so much on at the moment, so I don’t think I can give you the time and attention you deserve.”
Out of nowhere, a piano starts playing.
The man closes his eyes in despair. (He hates living in a musical world).
The woman starts singing.
🎶Oh, look what I have…. another emotionally unavailable man. 🎶
At the song’s crescendo, everyone in Starbucks is on the tables singing.
🎶Another.
Another.
Another.
Just another emotionally unavailable man! 🎶

Until that world exists. I will have to make do with the songs on stage and the screen…or do I?
After Titanique, Tom took me to a bar in Soho called “The Room Where It Happens.” I had never heard of it, but it’s an upstairs piano bar on Greek Street, which only plays musical theatre numbers until 3 am.

It was a dark, creaky place, with a layout of an old house that probably once was filled with a plague-ridden family. Tucked up next to a wall was a piano surrounded by (primarily) women screaming Let it Go. Sex-Ed-Tom and I slotted into the crowd and joined in. Summer Nights. Don’t Rain on My Parade. Colours of The Wind…We sang them all. Well. Sex-Ed Tom sang them. He sings in a choir every weekend and has been on choir tours, so he’s actually a good singer.
I, on the other hand, refused to do any more theatre school by the time I was 8 years old, and that was, audibly, very, very obvious.
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